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C\u00e9ramiste<\/p>\n
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Anne van der Waerden (Amsterdam, 1945) compte parmi les c\u00e9ramistes n\u00e9erlandais les plus appr\u00e9ci\u00e9s de sa g\u00e9n\u00e9ration. Depuis sa formation \u00e0 la Gerrit Rietveld Academie, elle a d\u00e9velopp\u00e9 un langage visuel propre, o\u00f9 la c\u00e9ramique transcende la fronti\u00e8re entre objet utilitaire et sculpture autonome. <\/p>\n
Ses formes \u00e9pur\u00e9es, ses gla\u00e7ures subtiles, son polissage et son sens exceptionnel de la mati\u00e8re conf\u00e8rent \u00e0 son \u0153uvre une qualit\u00e9 intemporelle. Les influences des cultures m\u00e9diterran\u00e9ennes et asiatiques sont reconnaissables, mais toujours traduites dans une signature tout \u00e0 fait personnelle. <\/p>\n
L\u2019\u0153uvre d\u2019Anne van der Waerden est tr\u00e8s estim\u00e9e et figure notamment dans les collections du Kunstmuseum Den Haag, du Stedelijk Museum Amsterdam, du Museum Boijmans Van Beuningen et de la Collection nationale (Rijkscollectie). Elle a \u00e9galement con\u00e7u des objets en verre pour la Manufacture royale de verre de Leerdam (Koninklijke Glasfabriek Leerdam). <\/p>\n
Anne van der Waerden occupe une place particuli\u00e8re au sein de l\u2019art c\u00e9ramique n\u00e9erlandais. Son \u0153uvre est salu\u00e9e pour l\u2019\u00e9quilibre raffin\u00e9 entre savoir-faire, force sculpturale et beaut\u00e9 sobre. La reconnaissance mus\u00e9ale alli\u00e9e \u00e0 une position sur le march\u00e9 encore modeste rendent son travail particuli\u00e8rement attrayant pour les collectionneurs de c\u00e9ramique contemporaine. <\/p>\n
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Vase Objet II<\/p>\n
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Vase Objet I<\/p>\n
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\n\u00bb title_text=\u00bbGalerie_Anne van der Waerden \u2013 sans titre\u00bb url=\u00bb\/kunstwerken\/geen-titel\/\u00bb show_bottom_space=\u00bboff\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.7″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#FFFFFF\u00bb width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb max_height=\u00bb512px\u00bb custom_margin=\u00bb||20px||false|false\u00bb custom_padding=\u00bb||0px|||\u00bb hover_transition_duration=\u00bb500ms\u00bb hover_transition_speed_curve=\u00bbease-in\u00bb box_shadow_style=\u00bbpreset1″ box_shadow_vertical=\u00bb0px\u00bb box_shadow_blur=\u00bb16px\u00bb box_shadow_spread=\u00bb-7px\u00bb global_colors_info=\u00bb{}\u00bb src__hover_enabled=\u00bboff|hover\u00bb src__hover=\u00bbhttps:\/\/laimbockart.nl\/wp-content\/uploads\/2025\/08\/Willem_A-horse-called-Desire-detai.webp\u00bb filter_contrast__hover_enabled=\u00bbon|hover\u00bb filter_contrast__hover=\u00bb100%\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bb#000000″ box_shadow_blur__hover=\u00bb20px\u00bb box_shadow_blur__hover_enabled=\u00bbon|hover\u00bb background__hover_enabled=\u00bboff|desktop\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_5″ _builder_version=\u00bb4.27.7″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb background_enable_image=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bboff|desktop\u00bb background_image__hover=\u00bbhttps:\/\/laimbockart.nl\/wp-content\/uploads\/2025\/08\/Scherm_afbeelding-2025-03-30-om-16.29.46.png\u00bb background_enable_image__hover=\u00bbon\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb background_enable_image=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb background__hover_enabled=\u00bboff|desktop\u00bb background_image__hover=\u00bbhttps:\/\/laimbockart.nl\/wp-content\/uploads\/2025\/08\/Scherm_afbeelding-2025-03-30-om-16.29.46.png\u00bb background_enable_image__hover=\u00bbon\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Anne van der WaerdenC\u00e9ramisteAnne van der Waerden (Amsterdam, 1945) compte parmi les c\u00e9ramistes n\u00e9erlandais les plus appr\u00e9ci\u00e9s de sa g\u00e9n\u00e9ration. Depuis sa formation \u00e0 la Gerrit Rietveld Academie, elle a d\u00e9velopp\u00e9 un langage visuel propre, o\u00f9 la c\u00e9ramique transcende la fronti\u00e8re entre objet utilitaire et sculpture autonome. Ses formes \u00e9pur\u00e9es, ses gla\u00e7ures subtiles, son polissage […]<\/p>\n","protected":false},"author":1,"featured_media":8063,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-8033","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/pages\/8033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/comments?post=8033"}],"version-history":[{"count":30,"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/pages\/8033\/revisions"}],"predecessor-version":[{"id":9055,"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/pages\/8033\/revisions\/9055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/media\/8063"}],"wp:attachment":[{"href":"https:\/\/laimbockart.nl\/fr\/wp-json\/wp\/v2\/media?parent=8033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}